粒と擦れの濃い鉛筆画

Black-and-white Japanese manga panel. Use few pencil lines at essential places. Grey belongs only in shadows, as uneven patches with visible pencil grain and rubbing. Leave broad white paper. No halftone screentone, airbrush or glow. Make an extremely sparse drawing. Faces have only simple eyes, a small nose and a mouth, without facial shading or extra lines. Hair is about three simple masses. Clothing has only its contour and two or three folds, with almost entirely white interiors. Shadows occupy small patches covering less than a fifth of the picture. Omit skin texture, individual hair strands, fabric patterns or weave, and hatching. Simplify all props to basic shapes. Indicate only one distant background shape and leave most of the paper completely white. samurai period gekiga style: every outline a few thick brush strokes that swell and taper; the hair as rough brush masses; solid black shadows laid first to carve out the forms; a few dry-brush streaks. Finished style (where it differs from the above, follow this): thin, grainy pencil-like lines, only the shadows in dark grey rubbed graphite, with uneven grain and a few white rubbed-out marks, smaller natural-shaped eyes, standard proportions, 6 to 7 heads tall, the area behind the figure left white; the place suggested by only one or two simple shapes, heavy grim mood. Subject: An adult man and woman gaze at a scroll without lettering inside an old house entrance. Tied hair for both, plain traditional robes. Show faces and hands chest-up, a post and doorway.

Black-and-white Japanese manga panel. Use few pencil lines at essential places. Grey belongs only in shadows, as uneven patches with visible pencil grain and rubbing. Leave broad white paper. No halftone screentone, airbrush or glow. Make an extremely sparse drawing. Faces have only simple eyes, a small nose and a mouth, without facial shading or extra lines. Hair is about three simple masses. Clothing has only its contour and two or three folds, with almost entirely white interiors. Shadows occupy small patches covering less than a fifth of the picture. Omit skin texture, individual hair strands, fabric patterns or weave, and hatching. Simplify all props to basic shapes. Indicate only one distant background shape and leave most of the paper completely white. samurai period gekiga style: every outline a few thick brush strokes that swell and taper; the hair as rough brush masses; solid black shadows laid first to carve out the forms; a few dry-brush streaks. Finished style (where it differs from the above, follow this): thin, grainy pencil-like lines, only the shadows in dark grey rubbed graphite, with uneven grain and a few white rubbed-out marks, smaller natural-shaped eyes, standard proportions, 6 to 7 heads tall, the area behind the figure left white; the place suggested by only one or two simple shapes, heavy grim mood. Subject: An adult woman stands holding a small closed wooden box with both hands in an old house garden. Tied hair, plain traditional robes and sandals. Show her complete figure from head to feet, the ground and a gatepost.